When I decided to add a “Movie” section, I thought it might be difficult to choose an inaugural film to review. I felt that the movie that kicks off this section should be something special. I have no interest in providing my thoughts on Spiderman, or even Borat, as those films are usually done to death by other people. I wanted the films in this section to be somewhat unique - movies that most people wouldn’t think about. Given that I had just watched The Warriors (1979) last night, I thought it would be a perfect film to start off with.
Real quick, I have a tendency to rate films on a rather blatant two star rating system. Two stars is a good movie, one star is “ehhhh”, and zero stars is a waste of time. No half-stars, and nothing too complicated. I actually hate star rating systems on principle, but in some cases they are useful. Anyway, on to The Warriors…
The Warriors (1979) is a film set “sometime in the future” in a dystopian New York City where gangs rule the streets. The gangs, in this case, are not the same kind of gangs that are in movies like Boys in the Hood, or Menace 2 Society, but instead are cartoon-like archetypes of various New York City burroughs. To name just a few, there is a gang of mimes in Greenwich Village called The High Hats, a gang of baseball players in called The Baseball Furies, and an all-female gang called The Lizzies. And you have an up-and-coming gang from Coney Island called The Warriors.
The plot of The Warriors is simple. Cyrus, the leader of The Gramercy Riffs, has called delegates from all of the New York City gangs together, in Brooklyn, in an attempt to end the inter-gang rivalries, bring peace, and take control of the city from the police. During his speech, he is assassinated and the murder is pinned on The Warriors. The rest of the film is spent focusing on The Warriors trying to battle back to their hideout in Coney Island, with police and every gang in New York City after them. Believe it or not, the story is loosely based on Anabasis from early Greek literature.
Given the simplicity of the plot, it’s not really a question of whether or not The Warriors will make it back to Coney Island, but who will make it back, how they will get there, and what will happen to them along the way. While you would expect a movie about gangs to be violent, The Warriors is fairly tame by today’s standards. The fight scenes are all stylized in a very comic book way, if for no other reason than the gangs involved are cartoon-like themselves. In some ways, the style of this film is very much a precursor to films like Sin City, which favor style over substance, but that style is what makes these films enjoyable nevertheless.
Aside from the style, it’s the subtle, and in some cases not so subtle, moments of homo-eroticism that really dominate the film. Take, for instance, the scene in which three of The Warriors, who were separated from the group, hook up with the all-woman gang, The Lizzies. The Lizzies take the unsuspecting Warriors back to their hideout for “some fun”. Not only is one of The Warriors completely disinterested in the women’s advances, but The Lizzies themselves have scenes in which their sexual orientation is a bit ambiguous. Obviously, their name, The Lizzies, is also a play on that ambiguity.
It’s not just the situations that play themselves up to this homo-eroticism, but it’s the names of The Warriors themselves. Swan, Cochise, Cowboy, Snow, Rembrandt… these are names that might be better suited for The Village People then for a rough gang.
Another scene that particularly stands out is a love scene between Swan, the leader of The Warriors, and Mercy, a woman who has joined them along the way. Swan is so reluctant to engage in anything physical with Mercy, even when she throws herself at him - literally begging for him to keep going - he simply insults her and walks away. Swan appears torn, as though being physical with Mercy is somehow uncomfortable.
The Warriors is a very enjoyable film, and has seen a slight resurgence since a video game based on the movie was released last year. The style and campiness of the film really make a worthwhile experience. ** out of **